標題: 何佩璇大提琴演奏會(含輔助文件:蕭士塔高維契D小調大提琴奏鳴曲---音樂意象與演奏探討)
PEI-HSUAN HO CELLO RECITAL( WITH A SUPPORTING PAPER: DMITRI SHOSTAKOVICH:SONATA FOR CELLO AND PIANO IN D MINOR OP.40 --- MUSICAL IMAGES AND PERFORMANCE ISSUES)
作者: 何佩璇
Ho, Pei-Hsuan
顧美瑜
Ku, Mei-Yu
音樂研究所
關鍵字: 蕭士塔高維契;大提琴奏鳴曲;Shostakovich;Cello Sonata
公開日期: 2010
摘要: 蕭士塔高維契是蘇聯時期多產的作曲家之一,當時政府實行集權專制,對於藝術創作採取壓迫及監控的手段,深深影響蕭士塔高維契的音樂創作。這首《D小調大提琴奏鳴曲》為蕭士塔高維契在一九三四年的作品,作曲家運用音樂的各種要素,諸如多變的旋律歌唱方式、獨特的機械性節奏音響效果、以及諷刺與戲謔的趣味等多樣性格,呈現並交織出音樂的豐富性。本輔助文件將透過樂譜文本的分析,探討此首樂曲如何利用旋律線與節奏性展現多種不同的音樂意象,並思考如何運用適當的演奏技巧,做出適當的詮釋。
Dmitri Shostakovich is one of the prolific composers of the Soviet period. At that time the government implemented the centralization to be despotic, adopted the oppression and the monitoring method regarding the artistic creation, affected Shostakovich’s music creation deeply. His “Cello Sonata in D Minor, op.40” finished in 1934, the composer utilized each kind of essential factor of music, such as the diverse melody, the unique rhythm acoustics, as well as the sarcastic and scherzando dispositions to present the music. This document will analysis the music , discusses how the melody line and the rhythmic development present many kinds of different music images, and ponders how to utilize the suitable performance skill, makes the suitable interpretation.
URI: http://140.113.39.130/cdrfb3/record/nctu/#GT079646520
http://hdl.handle.net/11536/43196
Appears in Collections:Thesis


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