標題: How did Hou Hsiao-Hsien change Taiwan cinema? A critical reassessment
作者: Wei, Ti
傳播與科技學系
Department of Communication and Technology
關鍵字: cultural production;Hou Hsiao-Hsien;position-taking;structure-agency dialectic;Taiwan cinema
公開日期: 2008
摘要: Hou Hsiao-Hsien has been one of the central members of Taiwan New Cinema (TNC) since the early 1980s and subsequently took on the rising trajectory of becoming an internationally famous film master. In contrast, during the same period, the Taiwan film industry diminished dramatically and nearly collapsed. Based on Pierre Bourdieu's theory of cultural production and the thesis of political economy of communication, this article regards Hou as a social agent and accordingly analyzes the dynamic interactions between him and the structural factors related to the broader transformations of Taiwan film industry. Hou seemed to choose his filming and production mode subjectively from the beginning, but actually the possibilities he got at the time were limited by the social structures. In addition, his rising trajectory also has been embedded in the dynamic processes of global cultural economy. Paradoxically, by the same local and global processes, Taiwan film industry has been seriously declining.
URI: http://hdl.handle.net/11536/24105
http://dx.doi.org/10.1080/14649370801965638
ISSN: 1464-9373
DOI: 10.1080/14649370801965638
期刊: INTER-ASIA CULTURAL STUDIES
Volume: 9
Issue: 2
起始頁: 271
結束頁: 279
顯示於類別:期刊論文


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  1. 000257032000009.pdf